Commercial compositing
High-end finishing, invisible integration and image-led problem solving in Nuke — with the detail held all the way through delivery.
DISCIPLINE 01Commercial compositing, on-set problem solving and AI-driven visual development — built for images that have to hold up.
VIEWSelected practice
High-end finishing, invisible integration and image-led problem solving in Nuke — with the detail held all the way through delivery.
DISCIPLINE 01Turning ambitious boards into shootable plans, protecting the post-production path on set and keeping the final image in view.
DISCIPLINE 02Using generative tools as part of a real production pipeline — for concept exploration, difficult shots and faster creative iteration.
DISCIPLINE 03I’m Roman Proń, a Warsaw-based Senior Online Artist and VFX Supervisor working across commercial post-production, on-set VFX and generative image pipelines.
My job is to connect creative intention with technical reality — keeping the process clear, the image precise and the team moving.
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